The wayfinding system begins precisely here: it not only guides people through the building, but also tells a story of the city, its uses, and movement. Its information carriers recall unfolded maps—early tools of orientation from before digital systems took over space. Reading here means discovering, comparing, and moving on.

The graphic language works with symbols and reduction. Pictograms, developed in reference to Otto Neurath and Gerd Arntz, condense content into images. They are not neutral, but full of character: individual, open, contemporary—like the city itself. The illustrations allow spaces to be anticipated before one enters them. They create inner images, like travel photographs in the mind, even before the journey begins. In terms of color, the system operates within the tension between yellow and black—the colors of the city and the state. A clear statement: the wayfinding system is part of the architecture, part of the city, and part of its identity—an integrated whole made up of many individual elements.